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<channel>
	<title>horror &amp;laquo; WordPress.com Tag Feed</title>
	<link>http://wordpress.com/tag/horror/</link>
	<description>Feed of posts on WordPress.com tagged "horror"</description>
	<pubDate>Mon, 07 Jul 2008 09:41:28 +0000</pubDate>

	<generator>http://wordpress.com/tags/</generator>
	<language>en</language>

<item>
<title><![CDATA[Thinking Man's Crumpet: The Site ]]></title>
<link>http://theburleyobserver.wordpress.com/?p=42</link>
<pubDate>Mon, 07 Jul 2008 09:02:19 +0000</pubDate>
<dc:creator>demonik</dc:creator>
<guid>http://theburleyobserver.wordpress.com/?p=42</guid>
<description><![CDATA[Our friend and valued contributor Coral King has now built a site/ blog around the exciting The Thin]]></description>
<content:encoded><![CDATA[<p>Our friend and valued contributor Coral King has now built a site/ blog around the exciting <a title="The Thinking Man's Crumpet" href="http://theburleyobserver.wordpress.com/2008/06/22/the-thinking-mans-crumpet-issue-1/">The Thinking Man's Crumpet</a> magazine. Keep up with the latest developments and get involved at <a title="Thinking Man's Crumpet - the site" href="http://www.freewebs.com/coral1066">TTMC</a>.</p>
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<title><![CDATA[Lonely Places]]></title>
<link>http://rainmagick.wordpress.com/?p=35</link>
<pubDate>Mon, 07 Jul 2008 05:43:21 +0000</pubDate>
<dc:creator>Rain</dc:creator>
<guid>http://rainmagick.wordpress.com/?p=35</guid>
<description><![CDATA[
It is a lonely place that calls across the distance
with soft moans and empty smiles
passing among ]]></description>
<content:encoded><![CDATA[<p>
It is a lonely place that calls across the distance<br />
with soft moans and empty smiles<br />
passing among the marking stones of fallen wishes<br />
like broken teeth in rank and file.<br />
Death's great city…</p>
<p>The creatures hovering on the edge of stricken shadow<br />
weave dark and bloody charms<br />
to hammer at the  landscape of what is held hallowed<br />
shifting graves to body farms.<br />
Life without pity…</p>
<p>It is a lonely place that exists upon the last divide<br />
with silent echoes and muted screams<br />
filling the spaces between the headstones of the wise<br />
with broken bones and shattered trees.<br />
Justice most unfitting…</p>
<p>The beings called to form the shield stand without waver<br />
whispering words of forgotten power<br />
to define the line where rotted things can not savor<br />
victory within this or any hour.<br />
Sanity most ripping…</p>
<p>It is a lonely place that finds the Fallen against eachother<br />
breaching citadels of protections<br />
to wage mindless and unending conflict on one and another<br />
missing both truth and direction.<br />
Bloody blades dripping…</p>
<p>The essence bound to flesh and pain serves as marker of it's own<br />
to show the strength of the Fallen<br />
for the mantra of who we are is chiseled in to our very bone<br />
for the graves within our calling.<br />
Time seen unending…</p>
<p>It is a lonely place that calls across the distance<br />
with soft moans and empty smiles<br />
passing among the broken stones of forgotten wishes<br />
finding silence through the miles.<br />
Death's great city…</p>
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<title><![CDATA[My J-horror experience(s)]]></title>
<link>http://ninkimapoop.wordpress.com/?p=13</link>
<pubDate>Mon, 07 Jul 2008 03:17:45 +0000</pubDate>
<dc:creator>hellbeans</dc:creator>
<guid>http://ninkimapoop.wordpress.com/?p=13</guid>
<description><![CDATA[Lately, in my incredible amount of spare time, I&#8217;ve been watching a lot of what some might cal]]></description>
<content:encoded><![CDATA[<p>Lately, in my incredible amount of spare time, I've been watching a lot of what some might call J-horror films, <strong>J</strong> standing for <strong>Japan</strong>(ese). I will list all of those that will come to my head right now, and are the most dominant, and have stuck with me after multiple viewings (or just one.)</p>
<p>In no particular order</p>
<p>1. <strong><a title="IMDb Link" href="http://www.imdb.com/title/tt0440803/" target="_blank">Shutter</a></strong> (2004, Thailand)</p>
<p>2. <strong><a title="IMDb Link" href="http://www.imdb.com/title/tt0286751/" target="_blank">Kairo</a></strong> (2001, Japan)</p>
<p>3. <strong><a title="IMDb Link" href="http://www.imdb.com/title/tt0365376/" target="_blank">A Tale of Two Sisters</a></strong> (2003, South Korea)</p>
<p>4. <strong><a title="IMDb Link" href="http://www.imdb.com/title/tt0266308/" target="_blank">Battle Royale</a></strong> (2000, Japan)</p>
<p>5. <strong><a title="IMDb Link" href="http://www.imdb.com/title/tt0235198/" target="_blank">Audition</a></strong> (1999, South Korea/Japan)</p>
<p>...more to come as they pop into my head, warm recommendations for all of the above, enjoy!</p>
<p>Peace, and Happiness.</p>
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<title><![CDATA[Gorelets]]></title>
<link>http://strangelatitudes.wordpress.com/?p=631</link>
<pubDate>Mon, 07 Jul 2008 03:09:26 +0000</pubDate>
<dc:creator>richristow</dc:creator>
<guid>http://strangelatitudes.wordpress.com/?p=631</guid>
<description><![CDATA[If one is into Horror, Science Fiction, Bizarro, or just all around strangeness, there&#8217;s alway]]></description>
<content:encoded><![CDATA[<p>If one is into Horror, Science Fiction, Bizarro, or just all around strangeness, there's always Michael Arnzen's great little email newsletter, <a href="http://www.gorelets.com/blog/">Gorelets</a>.  I mean, where else can you find writing prompts like these:</p>
<blockquote><p>+ Write about a woman-eating plant (as opposed to just a man-eater).<br />
+ Everyone says they're afraid of clowns. What are clowns scared of? Depict their worst nightmare.<br />
+ Ever heard the expression, "Let your freak flag fly"? Write a story or poem about a freak nation and its hallowed flag. (Option: try drawing or describing the iconography of the flag before you begin).</p></blockquote>
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<title><![CDATA[Horror In Gaming]]></title>
<link>http://mxyzplk.wordpress.com/?p=248</link>
<pubDate>Mon, 07 Jul 2008 03:00:43 +0000</pubDate>
<dc:creator>mxyzplk</dc:creator>
<guid>http://mxyzplk.wordpress.com/?p=248</guid>
<description><![CDATA[In a recent Entertainment Weekly article, Stephen King talks about why Hollywood has trouble doing g]]></description>
<content:encoded><![CDATA[<p>In <a href="http://www.ew.com/ew/article/0,,20210538,00.html" target="_blank">a recent Entertainment Weekly article</a>, Stephen King talks about why Hollywood has trouble doing good horror and the low-budget horror movies always seem better - because horror is at its heart a personal experience, not a grand spectacle.  His comments may be relevant to those trying to put horror in their role-playing games as well.  I have <a href="http://www.mindspring.com/~ernestm/horror/horror.html" target="_blank">an essay on my old site</a> about horror in gaming, which also references other good works on the subject (Nightmares of Mine by I.C.E. was great...).  Enjoy, and think scary thoughts!</p>
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<title><![CDATA[Let's get Jiggy -- And See, Saw.]]></title>
<link>http://ninkimapoop.wordpress.com/?p=10</link>
<pubDate>Mon, 07 Jul 2008 02:56:53 +0000</pubDate>
<dc:creator>hellbeans</dc:creator>
<guid>http://ninkimapoop.wordpress.com/?p=10</guid>
<description><![CDATA[
Well, to get this immediately out of the way, the title pun sucked, but that&#8217;s the way it wil]]></description>
<content:encoded><![CDATA[<p style="text-align:center;"><img class="aligncenter" src="http://www.magicalrabbit.com/ebay/Saw_Puppet_gallery.jpg" alt="Saw" /></p>
<p>Well, to get this immediately out of the way, the title pun sucked, but that's the way it will stay, and that's final.</p>
<p><span style="text-decoration:underline;"><strong>Saw</strong></span> (Not to be confused with Texas Chainsaw Massacre)</p>
<p>I saw the first Saw movie about a week ago, and I've been watching 'em like a mini-series ever since. I've just finished watching the fourth episode in this pretty entertaining series of films. Obviously the first thing that comes to mind after watching the first Saw, is that the twists to come in any sequel; twisty as they are, will have much less of an effect.</p>
<p>But let's not get ahead of ourselves, first thing's first. Reasons to see, or not see, a Saw sequel. In the second Saw movie, James Wan steps down, to be replaced by Darren Lynn Bousman, in the director role. (holy hell that's an annoying name to remember)</p>
<p>Leigh Whannell (holy moses, what's next, supercalifragilistic expialidocious!?) writes some of the screenplay, but the movie is not the same. I'd have to say however, that Bousman has done a terrific job making these sequels anything less than a complete train wreck, as we ALL expected them to be.  I've watched, in the last 6 months or so, over 50 horror movies, as I'm getting it all together and getting sucked into being a fan of the genre in the process.</p>
<p>We've all heard of, some of us might have even seen, the latest american remake trend i.e The Grudge, Ring, Shutter, and more...I personally gave only the american The Ring a chance, and wasn't TOO disappointed, but I'm looking for originality, and that's why the remakes don't interest me, and have been making me feel like there's no point in watching any more crap Hollywood decides to spit out and tag as "Horror."</p>
<p>Saw comes in and gently pats my back, kind of saying..."It's O.K, we're not ALL brain dead -- YET." I don't know anything about the Fifth, Saw IV, but I will read up, and wait.</p>
<p>In the mean-time, I strongly recommend the first, watch it and see if the second churns out the momentum to carry you over to the fourth, I enjoyed them.</p>
<p>Peace, and Happiness.</p>
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<title><![CDATA[DRACULA IL VAMPIRO]]></title>
<link>http://baronedelmale.wordpress.com/?p=328</link>
<pubDate>Sun, 06 Jul 2008 23:48:37 +0000</pubDate>
<dc:creator>mimhe</dc:creator>
<guid>http://baronedelmale.wordpress.com/?p=328</guid>
<description><![CDATA[Terence Fisher, 1958

Sì, lo ammetto, sono appassionato di horror anni &#8216;50, &#8216;60 e ]]></description>
<content:encoded><![CDATA[<p>Terence Fisher, 1958</p>
<p style="margin-bottom:0;"><code><span style='text-align:center; display: block;'><object width='425' height='350'><param name='movie' value='http://www.youtube.com/v/JtRt34yb9pU'></param><param name='wmode' value='transparent'></param><embed src='http://www.youtube.com/v/JtRt34yb9pU&rel=0' type='application/x-shockwave-flash' wmode='transparent' width='425' height='350'></embed></object></span></code></p>
<p style="margin-bottom:0;text-align:justify;">Sì, lo ammetto, sono appassionato di horror anni '50, '60 e '70 ed al contempo di tutto ciò che gira attorno al “Dracula” di Bram Stoker (al romanzo innanzitutto). Detto ciò confesso di aver avuto non poche difficoltà nel digerire “Dracula il Vampiro”, riproposizione e rivisitazione (non fedele) made in Gran Bretagna del romanzo sopracitato.</p>
<p style="margin-bottom:0;text-align:justify;">Film, che, riprende a pine mani dal vampiro incarnato da Bela Lugosi, modificandone l'immagine e rendendola ben più commerciabile, moderna e “pop”, con lo scopo di dar vita ad un prodotto rivolto alle masse e più al passo coi tempi. Un movie, prodotto della Hammer (resa celebre proprio da questo lungometraggio), in cui il senso di repulsione legato alla precedente tradizione vampiresca è sostituito da una morbosa ed erotica fascinazione nei confronti del mostro (il primo Dracula interpretato da Christopher Lee) a tal punto da proporlo al pubblico come star e seximbol (memorabile l'erotico morso alla bella Mina, interpretata da Melissa Stribling).</p>
<p style="text-align:justify;"><!--more--></p>
<p style="margin-bottom:0;text-align:justify;">“Dracula il Vampiro” ebbe però il merito di dettare i canoni estetici del moderno “Conte”, elaborandone stilemi in grado di invadere la produzione cinematografica (e non solo) a lui posteriore, e dando a Christopher Lee “il mantello” di vampiro più famoso del cinema moderno.</p>
<p style="margin-bottom:0;text-align:justify;">Gli eleganti movimenti di camera, la bella colonna sonora, e l'incredibile e purpureo colore, limitano lo scempio narrativo di una delle più belle “storie del terrore” (e non solo) partorite dalla mente umana.</p>
<p style="margin-bottom:0;text-align:justify;">Strepitoso Christopher Lee (che però compare solo per 10 minuti in tutto) nell'impersonare il personaggio che terrorizzò il grande pubblico di fine anni 50.</p>
<p style="margin-bottom:0;text-align:justify;">Assolutamente non la miglior trasposizione filmica del romanzo di Stoker, questa di Fisher, è un prodotto spensierato e godibile; nulla a che vedere con i vari capolavori di Tod Browning, F.F. Coppola e Herzog, Murnau.</p>
<p style="margin-bottom:0;text-align:justify;">Da bambino questa visione mi terrorizzò, ma non credo di esser stato l'unica vittima degli aguzzi canini di Dracula.</p>
<p style="margin-bottom:0;text-align:justify;">PS.: Consiglio di evitare la versione restaurata ed affidarsi alla ben più oscura ed affascinante pellicola originale.</p>
<p style="margin-bottom:0;" align="right"><strong>6/10</strong></p>
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<title><![CDATA[Blood and guts.]]></title>
<link>http://llandpofh.wordpress.com/?p=34</link>
<pubDate>Sun, 06 Jul 2008 22:46:54 +0000</pubDate>
<dc:creator>closer2fine</dc:creator>
<guid>http://llandpofh.wordpress.com/?p=34</guid>
<description><![CDATA[A few months ago, I was in a Big Brothers/Big Sisters-type program, and my mentee was this 10-year-o]]></description>
<content:encoded><![CDATA[<p style="text-align:left;">A few months ago, I was in a Big Brothers/Big Sisters-type program, and my mentee was this 10-year-old girl who lived with her mom and two half-native American brothers. We did stuff together weekly. One time I took her to see a dance-a-thon at the college, another week we went to an easter hunt, and then one week she convinced me to watch a horror movie with her and her family. This girl loved scary stuff. Her favorite movie was "Saw III".</p>
<p style="text-align:left;">So we watched this 70's horror flick "The People Under the Stairs" about a husband and wife (you later discover they are actually brother and sister) who keep all their children locked in the basement and feed them human flesh.</p>
<p style="text-align:center;"><a href="http://llandpofh.files.wordpress.com/2008/07/butcher-and-wife.jpg"><img class="size-medium wp-image-38 aligncenter" src="http://llandpofh.wordpress.com/files/2008/07/butcher-and-wife.jpg?w=300" alt="Eeew" width="300" height="222" /></a></p>
<p style="text-align:left;">If someone explained a movie synopsis like this to you, would your response be "cool sounds like a good way to spend a Thursday night" or would it be more like "Icky gah oodee bleark"?</p>
<p style="text-align:left;">See, the reason I ask is because I realize not everyone thinks the same way I do. This kind of thing isn't entertainment for me. And I'm not trying to bracket horror movies as "evil" or anything. But watching a crazy man pull stuff out of a dead guy's rib cage is still a traumatic thing for me to watch, because, you know, it <em>should</em> be. It should be.</p>
<p style="text-align:left;">Then again, I do enjoy the battle scene from "The Holy Grail" when King Arthur slices all the limbs off the Black Knight's body.</p>
<p style="text-align:left;"><a href="http://llandpofh.files.wordpress.com/2008/07/monty1.jpg"><img class="aligncenter size-medium wp-image-37" src="http://llandpofh.wordpress.com/files/2008/07/monty1.jpg?w=289" alt="" width="289" height="300" /></a></p>
<p style="text-align:left;">Anyway, a few weeks ago I went to see the new M. Night Shyamalan movie "The Happening."</p>
<blockquote>
<p style="text-align:left;">---A brief synopsis:</p>
<p style="text-align:left;">So people just suddenly begin committing suicide in mass groups---first they become disoriented, then stop moving, and finally find the quickest way to kill themselves.</p>
<p style="text-align:left;">The pandemic is initially believed to be a bioterrorist attack, but they later find out it's caused by a <em>defense mechanism of plants</em>. They start emitting a neurotoxin into the air that "turns off" the part in a human's brain that prevents self-destruction.</p>
<p style="text-align:left;">Alternative title: "Revenge of the Plants!"</p>
<p style="text-align:left;">(bemused smile. is this a warning to mankind to stop hurting mother nature, perhaps? for some reason reminds me of that baptist church group who hold protests at funerals and hold up signs that say "Thank God for Dead Soldiers" and "God Hates Gay People" at funerals because they believe death is God's way of reminding people to repent.</p>
<p style="text-align:left;">I guess a part of me believes in karma and whatever goes around comes around, but that's a little extreme)---</p>
</blockquote>
<p style="text-align:left;">Anyway, so "The Happening."</p>
<p style="text-align:left;">It's hard to take a movie seriously when it shows a zoo keeper walk purposefully into a lion cage and hold up his arms for feeding. So Monty Python-esque.</p>
<p style="text-align:left;">"Eat me!"</p>
<p style="text-align:left;">
<p style="text-align:left;"><a href="http://llandpofh.files.wordpress.com/2008/07/lion2.jpg"><img class="aligncenter size-medium wp-image-40" src="http://llandpofh.wordpress.com/files/2008/07/lion2.jpg?w=300" alt="" width="300" height="149" /></a></p>
<p style="text-align:left;">Yep. The picture speaks for itself.</p>
<p style="text-align:left;">Despite the near-humorousness of such morbid scenes, I was still pretty scared by this movie. So scared I had to close my eyes a few times. But even more frightening to me than the sight of mass self-mutilation is the overall "vibe" that emits like plant neuro toxins from horror films like this one (where lots of people die). This vibe of helplessness. Almost makes you feel like, what's the worth of mankind?</p>
<p style="text-align:left;">"I'm a nameless character on a movie and I'm in the house all by my house I'm gonna get in the shower I hope nobody breaks in and murders me."</p>
<p style="text-align:left;">After bathing in those kind of vibes for an hour or two, it's good to step outside where it's quiet except for the calm buzzing of cars, under the bright sun, and tell yourself that life is beautiful.</p>
<p style="text-align:left;">
<p style="text-align:left;">
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<title><![CDATA[Bloodcurdling Tales of Horror and the Macabre: The Best of H. P. Lovecraft]]></title>
<link>http://byblios.wordpress.com/?p=189</link>
<pubDate>Sun, 06 Jul 2008 21:56:21 +0000</pubDate>
<dc:creator>stefanszary</dc:creator>
<guid>http://byblios.wordpress.com/?p=189</guid>
<description><![CDATA[Bloodcurdling Tales of Horror and the Macabre: The Best of H. P. Lovecraft - H.P. Lovecraft
Descr: T]]></description>
<content:encoded><![CDATA[<p><a href="http://byblios.files.wordpress.com/2008/07/best-of-hp-lovecraft.png"><img class="alignleft size-medium wp-image-190" src="http://byblios.wordpress.com/files/2008/07/best-of-hp-lovecraft.png?w=151" alt="" width="151" height="238" /></a><strong>Bloodcurdling Tales of Horror and the Macabre: The Best of H. P. Lovecraft - H.P. Lovecraft</strong></p>
<p><strong>Descr</strong>: This is the collection that true fans of horror fiction have been waiting for: sixteen of H.P. Lovecraft's most horrifying visions, including Lovecraft's masterpiece, THE SHADOW OUT OF TIME--the shocking revelation of the mysterious forces that hold all mankind in their fearsome grip.</p>
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<title><![CDATA[Tales of the Cthulhu Mythos]]></title>
<link>http://byblios.wordpress.com/?p=187</link>
<pubDate>Sun, 06 Jul 2008 21:54:40 +0000</pubDate>
<dc:creator>stefanszary</dc:creator>
<guid>http://byblios.wordpress.com/?p=187</guid>
<description><![CDATA[Tales of the Cthulhu Mythos - H.P. Lovecraft and Others
Descr: Howard Phillips Lovecraft forever cha]]></description>
<content:encoded><![CDATA[<p><a href="http://byblios.files.wordpress.com/2008/07/cthulhu-mythos.png"><img class="alignleft size-medium wp-image-188" src="http://byblios.wordpress.com/files/2008/07/cthulhu-mythos.png?w=145" alt="" width="145" height="239" /></a><strong>Tales of the Cthulhu Mythos - H.P. Lovecraft and Others</strong></p>
<p><strong>Descr</strong>: Howard Phillips Lovecraft forever changed the face of horror, fantasy, and science fiction with a remarkable series of stories as influential as the works of Poe, Tolkien, and Edgar Rice Burroughs. His chilling mythology established a gateway between the known universe and an ancient dimension of otherworldly terror, whose unspeakable denizens and monstrous landscapes--dread Cthulhu, Yog-Sothoth, the Plateau of Leng, the Mountains of Madness--have earned him a permanent place in the history of the macabre.</p>
<p>In Tales of the Cthulhu Mythos, a pantheon of horror and fantasy's finest authors pay tribute to the master of the macabre with a collection of original stories set in the fearsome Lovecraft tradition</p>
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<title><![CDATA[Jaws (1975)]]></title>
<link>http://desultorydreams.wordpress.com/?p=23</link>
<pubDate>Sun, 06 Jul 2008 20:14:30 +0000</pubDate>
<dc:creator>mochablue</dc:creator>
<guid>http://desultorydreams.wordpress.com/?p=23</guid>
<description><![CDATA[I finally saw all of Jaws for the first time. What an excellent film this is! One of Spielberg]]></description>
<content:encoded><![CDATA[<p>I finally saw all of <em>Jaws</em> for the first time. What an excellent film this is! One of Spielberg's best films. It's a real shame though that it has been so deluded over the years by all the abysmal cash-in sequels. I saw it on the big screen too, at the <a href="http://www.afi.com/silver">AFI Silver Theater</a>.</p>
<p>Spielberg successfully utilizes a <em>Psycho</em>-esque Hitchcockian approach by limiting the carnage and building up the suspense and terror of the unknown, the unseen, the waiting. John Williams' score is one of the best and most effective ever in this, increasing the palpable foreboding of the next attack. Superbly directed and edited this is a horror masterpiece.</p>
<p><img class="alignnone" src="http://www.scene-stealers.com/wp-content/uploads/2008/04/jaws2.jpg" alt="" width="514" height="265" /></p>
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<title><![CDATA[Preda al "Joe D'Amato Horror Festival 2008"]]></title>
<link>http://silosproduction.wordpress.com/?p=10</link>
<pubDate>Sun, 06 Jul 2008 19:46:21 +0000</pubDate>
<dc:creator>silosproduction</dc:creator>
<guid>http://silosproduction.wordpress.com/?p=10</guid>
<description><![CDATA[
In questi giorni (da sabato 5 luglio a lunedì 7) è in svolgimento a Marina di Pietrasanta (Lucca)]]></description>
<content:encoded><![CDATA[<p><a href="http://silosproduction.files.wordpress.com/2008/07/ex2_header_green1.jpg"><img src="http://silosproduction.wordpress.com/files/2008/07/ex2_header_green1.jpg?w=300" alt="" width="300" height="61" class="alignnone size-medium wp-image-12" /></a></p>
<p>In questi giorni (<strong>da sabato 5 luglio a lunedì 7</strong>) è in svolgimento a Marina di Pietrasanta (Lucca) il "Joe D'Amato Horror Festival", importante manifestazione nazionale dedicata all'horror giunta alla settima edizione.</p>
<p>Il festival, oltre 6.000 presenze nel 2007 e illustri ospiti tra cui citiamo Dario Argento, prevede una vasta sezione dedicata ai cortometraggi di genere. </p>
<p>Come avevamo già annunciato qualche settimana fa <strong>il nostro corto-spot Preda è stato selezionato</strong> per la proiezione e parteciperà all'assegnazione dei premi previsti. E' un'ottima soddisfazione per noi dato che Preda non è propriamente un corto e non appartiene nemmeno al 100% al genere horror (a parte la presenza del mostro..)! Quindi una selezione che vale doppio!</p>
<p>Ricordiamo che Preda era stato originariamente realizzato per partecipare ad un progetto LAV che prevedeva la realizzazione di spot contro la caccia. La prima proiezione pubblica è avvenuta il 15 aprile, a Roma, nell'ambito del festival "L'invasione degli ultracorti", dove si è classificato al terzo posto nella propria serata, secondo il voto del pubblico.</p>
<p>Prossimamente sarà inviato ad altri festival, privilegiando le manifestazioni dedicate agli spot, ai filmati di genere comico, horror e a tematiche ambientali.</p>
<p>Invitiamo chi fosse interessato a fare un salto a Marina di Pietrasanta e partecipare al festival, <strong>per tutti i dettagli il sito della manifestazione è <a href="http://www.nidodelcuculo.tv/jdhf/" target="_new">http://www.nidodelcuculo.tv/jdhf/</a></strong></p>
<p><a href="http://silosproduction.files.wordpress.com/2008/07/horror-sito1.jpg"><img src="http://silosproduction.wordpress.com/files/2008/07/horror-sito1.jpg?w=207" alt="" width="207" height="300" class="alignnone size-medium wp-image-11" /></a></p>
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<title><![CDATA[Free - the 2nd installment of my Vampire Serial 'Survival'....]]></title>
<link>http://jonathonwise.wordpress.com/?p=191</link>
<pubDate>Sun, 06 Jul 2008 18:55:29 +0000</pubDate>
<dc:creator>jonathonwise</dc:creator>
<guid>http://jonathonwise.wordpress.com/?p=191</guid>
<description><![CDATA[Don&#8217;t know what&#8217;s going on with Amazon or if they&#8217;ll ever get their &#8217;shorts]]></description>
<content:encoded><![CDATA[<div><code><span style="font-size:large;font-family:Times New Roman;">Don't know what's going on with Amazon or if they'll ever get their 'shorts' program back up and running.   With that said, a lot of you took the time to download and read the first installment of my vampire serial 'Survival'.    Months ago I promised the second installment and so to be true to my word - here is 'Survival - The Siege of Lawrence' in its entirety.    Please accept my apologies for the delay and read on.... </p>
<p><strong></strong></p>
<p align="center">Survival - The Siege of Lawrence</p>
<p>Clouded by the unrelenting fatigue of a war that had been raging for seven years, most survivors forgot long ago that the onset of the end actually began outside of Boulder. Denver is the memory burned into their minds. There one second, gone just as quickly in one brilliant flash. But even then they knew it came too late to stop the spread of infection. When the military felt that they couldn’t chance any more nuclear fallout, they turned to carpet-bombing. Several major cities across the Midwest were reduced to rubble.</p>
<p>Then on one autumn day the jets stopped flying. Word quickly gained momentum that the government had drawn the line at the Mississippi. There’d be no testing stations set up at bridges or along the banks to welcome the uninfected refugees of the western United States. It was a chance the government wasn’t willing to take. Instead, the military fortified its armaments and left no room for misinterpretation – anyone attempting to cross over to the eastern bank would be shot on sight.</p>
<p>Everything and everyone west of the river was written off as collateral damage. With most major cities destroyed, survivors converged on the smaller, relatively unscathed towns like Topeka, Lawrence, Joplin and Hot Springs. But limited by makeshift fortifications and minor firepower, the first two years of the war proved particularly bleak. Thousands along each town’s perimeter ended up missing: no blood, no bodies, simply gone - victims of nighttime vampire raids.</p>
<p>The eastern bank wasn’t much better. Violence spawned by fear and starvation took nearly as many lives as infection did in the west. It was a most precarious time for the human race.</p>
<p>Then in that darkest moment, hope sprang forth. Talks started between the outcast survivors of the restricted zone and the eastern bank. In exchange for supplies to protect themselves (weapons, fuel, construction materials…) towns in the restricted zone would farm the surrounding land and provide grain and crops to the hungry of the eastern bank.</p>
<p>Survival had degraded to a matter of delicate balance.</p>
<p> </p>
<p align="center">The Siege of Lawrence</p>
<p align="center">August 27th</p>
<p> </p>
<p>The old Chevy bounded over a rise in the worn asphalt that sent Justin crashing into the roof of the cab. "Shit!" He shook it off and floored the accelerator as he jerked back up straight behind the wheel. Time was running out. The tall, stark wind generators that dotted the fairways between the first and fourth greens of the old country club were racing up to greet him. But it was what lay just partially hidden behind that skyline that fueled his adrenalin. He kept a tight grip on the wheel and his right foot to the floor as the old truck raced up to the ‘T’ intersection. Then at the last second, he threw the wheel to the right and slammed on the brakes. The blue Chevy skidded around the turn onto East Farmington Road as tornado sirens blared in the distance. That’s when he stole a quick glance at what lay beyond. There under the brink of dusk, he could see the lower tip of the sun beginning to set below the horizon.</p>
<p>It might have been different if there had been even a single cloud in the sky. But there wasn’t. In fact the only thing he could see was Rita back at the depot. In his mind, everyone would be running – except for her. She wouldn’t leave. He was sure of it. God help her… she’d stay hoping against all odds that Frank might return. She’d step out on to the platform, shield her eyes from the last rays of the setting sun and stare down the tracks.</p>
<p>By now the mad scramble in the heart of town would be nearly over. Most folks would be back home with their loved ones, gathering guns behind locked doors.</p>
<p>Two jeeps, outfitted with machine guns swerved onto the road right behind Justin as he cleared the line of trees just south of the train stop. The sight of more than two hundred marines and guards scrambling to take position around the depot brought him straight up in the seat. He was no virgin when it came to cropper raids, but he’d never seen this kind of response. Not this many men in one place. Not with this kind of firepower. It looked like everyone had a mini-gun and several men were taking up position with M20 bazookas. It could only mean one thing. This was no simple raid of infected humans.</p>
<p>Justin flew through the station gate and sprayed a cloud of dust and gravel as the pickup skidded to a stop among an array of military vehicles. He flung the door open, jumped out and started bobbing his way between men and cars in a frantic run to the platform along the tracks. He grabbed the post at the foot of the stairs and sprung up to the third step. As he leaped up onto the crowded platform, two soldiers parted and he spotted Rita’s flowing dark hair. But instead of calming his nerves, it only intensified his fears. He couldn’t get over to her fast enough.</p>
<p>He fought his way through the soldiers like a man trying to free himself of an entanglement. Just as he got to her, Rita turned and looked at him. For that timeless second that followed, all his panic simply faded. The jerky and harsh movement of a moment ago was replaced by the calm and pleasant touch of her skin as he took her hand in his. He could stare into her eyes for the rest of his life, but even that wouldn’t be long enough.</p>
<p>"It’s Frank – I know it!" Rita said over the scream of the siren as she rose up on her toes and turned to look back down the track.</p>
<p>It was a look that tugged on Justin’s heart. The fact that she chose his brother couldn’t quell the feelings that he had for her.</p>
<p>Marines and guards were racing everywhere in a mad scramble to take position. Some took cover along the ruins of junk cars while others set up behind the stockade of semi-trailers that comprised the perimeter wall on that side of town. Trains were no longer allowed to go through towns. All tracks were blown just inside the perimeter. Goods that came in and needed to continue on were carted across town by truck to the next train. That’s how it had been since the town of Amarillo fell. A train full of the infected rolled all the way into the heart of town – that was the end of Amarillo.</p>
<p>Justin grabbed Rita by the arm and yelled over the background noise. "We’ve got to go!"</p>
<p>"Go if you want," she huffed as she wrenched her arm free. "I’m going to wait here for Frank."</p>
<p>Before he could respond, a commotion started to bubble up among the marines as a man from one of the forward posts got up and ran back behind the perimeter. A moment later the rest of the men positioned at the forward posts retreated inside the perimeter.</p>
<p>Justin flagged down a guard who was barreling across the platform. "What is it?"</p>
<p>"We don’t know what—" a squawk on the radio cut him off before he could finish. But as the man keyed the mike clipped to his shoulder strap he handed Justin his binoculars.</p>
<p>Justin quickly focused on the distant blur that was beginning to crest the horizon a mile or so off. Almost as quickly as they went up, he dropped them back down. The second time he raised them to his eyes, it was slower and more deliberate. "OH SHIT!" The harsh and jerky movement had suddenly found a home again. He pushed the binoculars back into the guard’s hands and grabbed Rita around the waist. "Frank isn’t coming! You’re leaving with me."</p>
<p>Rita screamed in protest and started clawing and kicking, but she was no match for Justin’s determination. He wrapped one arm around her waist and dragged her toward the stairs as the train’s whistle blew once in the distance. Marines were still arriving and taking up positions along the perimeter as the tornado siren finally fell silent. It was only then that everyone heard the sounds of the approaching force.</p>
<p>Justin dragged Rita down the steps unaware of her screams to stop…. There were so many. So many infected marching and driving on each side of the train. That’s what he saw through the binoculars - a nightmare come to life. A line of battered old cars and trucks stretched out a good quarter of a mile from each side of the train. And there had to be over a thousand infected marching at the front of the line. Lawrence had been home to Frank, Rita and him ever since the evacuation convoy dumped them off nearly seven years ago. The people of this town had taken them in and offered them a home when they had none. They had lived through night raids and hunger. The town even killed a vampire once. But none of that seemed to matter now. What Justin saw through the lenses of the binoculars was more than an army – it was the end of Lawrence.</p>
<p>All of a sudden his movement snagged and he jerked to an abrupt stop. He yanked once out of instinct. When Rita resisted it brought him back to the present. Until then, he hadn’t heard her sobs or felt the sorrow in her back and tremble in her shoulders. He eased his grip and faced her.</p>
<p>"He might be on the train…" Rita cried as she released her clutch of the door handle she had anchored herself to.</p>
<p>"If he is alive, he’s not on that train," Justin said as he released his grip around her waist and took her hand. "We have to go now. We have to make it back inside the inner perimeter." Justin looked around and spotted his pickup near the back of the haphazard maze of parked vehicles. Then in a calm and assuring voice, he said, "Come on…"</p>
<p>Just as they began to move, a rocket launched from an M20. Rita tensed up, but allowed Justin to continue to lead her between the cars. About three seconds later the sudden clasp of thunder rolled across the clear sky. Several more tubular ‘bumfs’ sounded as more M20s launched. Deafening explosions and reverberations in the ground followed those sounds almost immediately. If the relationship between lightning and thunder were any rule, then the battle was coming to them in a hurry.</p>
<p>The roar and battle cries of infected humans started to roll in on the tracks. Almost instantly the cries were all but cut off by the metallic whine of mini-guns. Justin let go of Rita’s hand as their pace picked up to a full-fledged sprint. He slammed against the grill of his pickup, rolled to the passenger side and opened the door for Rita as the ground began to rumble. She jumped in as he sprinted around to the other side. The deafening sound of war was around them – gunfire, wild screams, explosions and the approaching train. Justin jumped in behind the wheel and screamed, "Hang on!" as he put the truck in gear and floored it. The tires spun on the gravel, then took hold and swung the tail of the pickup into the fender of a military jeep. The old Chevy rocked up on the passenger tires as marines began to spill out into the parking lot like floodwaters from a bursting dam. The depot was about to be overrun.</p>
<p>As the driver’s side of the truck rocked and slammed back down on the ground, Justin saw an infected man tackle one of the guards running for the parking lot. The two flew off the platform and kicked up a small cloud of dust as they hit the gravel. Justin barely saw the knife thrust through all the chaos as he swung the pickup around. But as he waited anxiously for a few marines to jump into the bed of his truck, he saw the flash of the guard’s pistols in his side mirror. He watched as the infected man fell backwards, off the guard. His knuckles flared as he clutched the wheel and stared at the reflection of the guard stammering up to his feet, blood spilling from the stab wound in his gut.</p>
<p>One of the marines in the back of the truck smacked the roof of the cab. "Go! Go! Go!"</p>
<p>Justin floored it as hordes of infected men, women and children spilled over the platform and swarmed the downed guard. But before they could rip apart his flesh, the marines in the back of the truck opened up with their mini-guns.</p>
<p>The Chevy cleared the gravel at the gate and just as it started to lay rubber on the broken asphalt of East Farmington, the train shot past the depot and hit the barrier at the end of the track. There was a thunderous explosion of heavy timbers and dirt. For a split second, at least in Justin’s mind, he wasn’t sure they were going to make it. Tons of earth jetted into the twilight sky as the diesel locomotive plowed a path straight for the road ahead of them. Justin locked onto the wheel and shoved his foot to the floor. The ground started shaking as the diesel locomotive came rumbling into his peripheral vision like a runaway about to t-bone him at a crossing. "Come on! Come on!" he cursed as he shook the wheel one last time.</p>
<p>Then his breath caught midway as his heart skipped a beat. Before he could gasp or swallow, the back wheels bounced up in the air as the ground exploded to their rear. Dirt and asphalt sprayed across the truck as the train cut through East Farmington not more than ten feet right behind them. A few cheers erupted from the marines hunkered down in the bed, and only then did Justin take his next breath. They escaped the collision, but it was far from over. The infected had broken through the outer perimeter around Lawrence. And nightfall was right behind them. Vampires would be coming.</p>
<p>Justin looked at Rita. She had her knees drawn up to her chest and was staring at the floor. It wasn’t so much a look of fear from the death they just cheated, as it was the bitter look of having her hopes crushed. He quickly reached over and gave her a reassuring squeeze as they sped toward the next intersection.</p>
<p>Justin yelled, "Hang on!" to the men in the bed as he threw the wheel to the right.</p>
<p>The truck bounced over the shoulder as the mini-guns opened up again. This time it was dark enough to see the flame from the barrels. Rita sprang to life and jumped around to look out the rear window. "They’re behind us!" She grabbed Justin’s shoulder as she watched the marines unload their weapons into the mob of cars behind them. Then her nails dug in. "I’ve never seen so many…."</p>
<p>Justin glanced in the rear view mirror but couldn’t see past one of the marines. The side mirror though put everything in perspective. That’s when he saw the last remnants of the sun disappear over the horizon. "Shit!" Then three loud pops cracked the window behind his head.</p>
<p>Rita jerked back forward and was immediately thrown against the passenger door as Justin took a hard left. As soon as the truck straightened back out, she pushed off the door, strapped on the seat belt and yelled, "They’ll come won’t they?"</p>
<p>Justin took a quick swipe at the sweat trickling down his face as metallic pings swept across the tailgate like fat raindrops on a tin roof. Then he glanced at her. A single nod told her everything she needed to know. The truck shot through one residential intersection after another as they raced for the town’s inner perimeter. That was their last real line of defense – the town’s only hope.</p>
<p>One of the marines slammed back against the rear window of the cab and then rolled over the side. Justin saw him hit the asphalt in the side mirror. The man barely had a chance to stop rolling before several infected pounced on him and began to feed like a savage pack of wild dogs. As gruesome as that was, it was all the cars and trucks that scared him most. He saw them everywhere – on the road, on the shoulders, driving across open lots and front yards alike. But most frightening of all, were the cars veering off at the last intersection. Those were the cars that would try to cut him off.</p>
<p>The Chevy skidded around the corner onto US 40. The western gate was less than three-quarters of a mile straight ahead. He could almost make out the guards and marines posted along the top of the stockade. The inner perimeter was a wall the town fabricated nearly four years ago. It was made up of just about anything they could find. Some sections were mortared cylinder block, others were crushed cars stacked ten high. But by far the vast majority was made up of existing buildings. The western gate was actually modeled after a floodgate. Its skin was made up of steel plate welded over a one-foot thick honeycomb of angel-iron. All in all, it stood nearly twenty feet tall and took over thirty men to slide it across the tracks to seal off downtown from US 40. But the inner perimeter didn’t get its strength from either the wall or the gate. What gave downtown a fighting chance at defending itself was the open ground just outside the wall. When the wall went up, the town also razed every building and house extending two blocks out from it. Then dozers swept the area clean. The only cover that the infected or vampires would find, would be what they brought with them.</p>
<p>Two blocks from crossing into the open zone, Justin saw the gate sliding shut.</p>
<p>Rita screamed, "We’re not going to make it!"</p>
<p>"We are!" Justin yelled as he started honking the horn and flashing the headlights. A heartbeat later, they hit the open zone and one of the spotlights positioned on the wall lit up the cab. Justin threw an arm up to shield his eyes as the stockade wall ignited with the spark of gunfire. Rita grabbed him and for a split second, time seemed to stop. He didn’t see his life pass before his eyes. In fact he couldn’t see anything for that split second. It was that uncertainty that scared him most. Then just like that, the spotlight swung off the cab and lit up the mob behind the truck. That’s when he realized the guards on the wall were shooting at the vehicles to their rear.</p>
<p>He bit down and pumped the wheel. The gate had stopped halfway across the street. They were going to make it. He glanced over and met Rita’s eyes, but before he could say a word, a bullet blew out the rear window.</p>
<p>Justin locked up the brakes as the Chevy jumped the tracks in front of the closing gate. One of the few marines still standing in the back flew over the cab and hit the ground rolling as the truck skidded sideways to a stop. But that didn’t matter. Justin didn’t even notice the civilians and guards diving out of his way. The only thing he saw was the sudden snap of Rita’s body as the seatbelt grabbed hold and jerked her back against the seat.</p>
<p>The pickup rocked back over its rear wheels as Justin jumped across the seat and grabbed her. "Baby!" he cried out in fear.</p>
<p>Then suddenly and unexpectedly, but ever so gleefully, Rita shoved him off her. "Get off me Jus."</p>
<p>A shiver of relief rolled up his arms as a nervous smile eased across his face. "I thought you were hit."</p>
<p>"Yeah!" Rita exclaimed. "Hit by your shitty driving." Then after a second to square her body, she looked back at him and said with a grin as she opened the door, "Someone might think that you didn’t even have a driver’s license."</p>
<p>Justin smiled as he jumped out from behind the wheel and joined the bedlam of people rushing to close the gate behind them. Some people were rushing to tend to the marine who rolled over the cab, while others were lifting the bodies of two dead marines out of the bed of his truck. Justin looked around for others. He didn’t know exactly how many marines had jumped in before they raced out of the depot, but figured there had to have been at least six. But as he looked at the faces and into the eyes of those scampering around the truck, he realized that the only marine who made it was the one slowly getting up to his feet on the other side of the truck. That’s also when he realized that the gunfire had stopped. Besides marines barking out orders and the white noise of numerous mumblings and conversations, the night had turned eerily quiet.</p>
<p>Rita walked over and put her arms around Justin. This time she was serious. She pressed the side of her face to his and whispered, "Thank you for coming to get me Jus."</p>
<p>Justin lost himself in the moment and was about to give in to his desire to kiss her, when several marines ran up with their weapons drawn. He quickly stepped back before Rita caught wind of his intention. "Blood test you know," he offered in explanation as one of the marines tossed over a test kit. It was exactly what he needed, a quick diversion that would allow him to corral his feelings before he did something that could never be taken back. He pricked the tip of his finger and dabbed the test strip. "Just doing what Frank would do. Except that Frank wouldn’t have needed any help to rescue you."</p>
<p>Rita displayed the negative result on her test strip to the marines as she looked over at him. "You did okay."</p>
<p>He kept his feelings in check and simply smiled. Once the marines had their test results, he took her hand and led her around the front of the truck. "I think we actually owe our lives to this man," Justin said as he presented Rita to the lone surviving marine. "I’m Justin Harcore and this is Rita Wells."</p>
<p>The marine wiped his hands across the front of his shirt and then extended his right. "Pete Foley. I’d say your quick thinking and driving had a little to do with saving our asses."</p>
<p>As Rita and Pete shook hands, one of the guards up on the wall yelled down, "They stopped." He glanced back out beyond the wall and then waved everyone up for a look. "They all stopped back on the other side of the dead man’s zone."</p>
<p>Justin grabbed Rita’s hand as they followed Pete over to the nearest makeshift stairs. When they got to the top and joined the others who were gathering along the catwalk, they found themselves confronted with the presence of an evil the likes of which had never been seen in Lawrence. Forces were still joining the masses of infected on the other side of the dead man’s zone. Men, women and children were walking up and stopping under the cover of buildings on the other side. Cars, trucks and buses blocked US 40 and the side streets for as far as the eye could see. The infected were surrounding the west side of Lawrence. But that’s all they were doing. They were advancing. They weren’t shooting. They simply stood under the glow of torches and waited.</p>
<p>As town folks continued to converge on the catwalk above, one of the ranking marines below called his squad over. They were too far away for Justin to hear what was being said. But when he saw the marines drive out in different directions after breaking formation, he had a good idea of what was going on. They were checking to see if infected had surrounded the entire town.</p>
<p>"You have a brother Frank?"</p>
<p>Justin turned back around and joined Rita and Paul in their watch of the infected. "Yeah, he’s my older brother."</p>
<p>Pete nodded. "Didn’t know him well, but enough to know that he was a good man."</p>
<p>Justin sensed the fret in Rita’s hand at the mention of Frank. He motioned toward her with his head. "Rita and Frank…"</p>
<p>Pete understood and stopped before going any further.</p>
<p>"What’s that?" Rita asked as she pointed across the dead man’s zone to a group of infected huddled at a corner of one of the buildings.</p>
<p>Pete’s reaction was almost instantaneous. He jerked around toward town and yelled out, "Vampire!"</p>
<p>Screams of panic filled the night. But Justin didn’t move. He stood there; stiff jawed in the face of death. He watched the dark blur leap from the huddle of infected. It was almost as if it flew. Then his heart suddenly started racing as he watched it hit the ground on all fours, thirty-feet inside the dead man’s zone and leap again. Part man, part something else, its strength and power clearly visible in the distant torchlight. It leaped once more and disappeared in the darkness.</p>
<p>"Jus!" Rita screamed as she yanked him by the hand again.</p>
<p>But it took the whine of mini-guns to break Justin from his trance. He glanced at the marines lighting up the night from their positions along the stockade. Then he glanced at Rita. He saw the fear in the whites of her eyes as men and women scrambled down the stairs behind her. Instinct suddenly took over. Without any thought guiding his actions, he followed her down the stairs and sprinted after the mob. Everyone was racing for the marines who had taken cover behind a line of cars two blocks down the street. Justin and Rita ran past his pickup and that’s when he heard the scream. He glanced over his shoulder in mid-stride just as one of the armed marines along the catwalk disappeared. But no magic came to play here. Something tackled the marine with the force of a runaway Mack truck and crashed down on the hood of a car a full sixty feet away. There was time for one short scream and flail of arms before blood and flesh shot up into the night sky. Then mini-guns fire drove the creature back into the shadows. It was more than he could watch.</p>
<p>As Justin turned forward, one foot caught the other. One moment he was running hand-in-hand with Rita toward the marines at the next intersection. The next, he was sliding shoulder first on the hard asphalt. He lost his baring for a second in a blind roll. By the time things came to a stop and he was able to spot Rita, she was running back for him. He reached for her hand as he scampered to his feet, but that’s when he heard the woman’s scream.</p>
<p>He swung back toward the gate. It was an old woman crawling on the ground next to a stalled car just left of the gate. Then a cloud of dust kicked up in the shadows. It was a good fifty yards off, but he could still hear the whimper of fear, the last fledgling of fight before the body and mind both give up. It raised a fear that rode the course of his spine. Then there were the eyes. There was no mistaking the glow of those damned eyes. It was a vampire… a vampire feeding on one of the marines. He looked back at the woman clawing at the ground, trying to get up.</p>
<p>"Hurry!"<em> </em>he pleaded as he slammed his fist against the asphalt.</p>
<p>He felt the soft touch of Rita’s fingers slide around his hand, but couldn’t pull his eyes from the old woman. Even if she made it to her feet she wouldn’t be fast enough. A heartbeat later, Justin pulled his hand from Rita’s as he turned toward her. The instant their eyes met - the message was clear. "Go!" he urged.</p>
<p>She spun around and took off running for the marines at the next intersection, as Justin spotted his pickup. He didn’t think about what he was doing – he just did it. He took off in a mad dash as the vampire gorged itself on the marine's blood. A second later he grabbed the door handle in full sprint as the vampire threw its head back and screamed victoriously at the night sky. In one fluid motion, Justin swung around the door, jumped in and started the truck just as the vampire spotted the old woman using the car to pull herself up to her feet.</p>
<p>The Chevy’s back tires smoked against the asphalt as the vampire suddenly leaped to attack. The truck squirreled out of a fishtail and then shot off straight toward the old woman. Before Justin had a chance to consider that she might not be able to get out of the way, a weighty thud landed on the street right in front of her. She tried to scream, but when the creature rose up on its hind feet, the sight stole even that from her. All she could muster was a frantic grab of her chest as she fell back against the car.</p>
<p>Justin screamed and hit the headlights! The sudden glare of the truck’s high beams spun the creature around with one hand poised to strike. It was a split second chance for the old woman - and she seized it. She shoved off the car and stumbled to the ground just before the pickup slammed into the vampire. The Chevy hit with such force that the rear tires popped off the ground and sent Justin crashing into the steering wheel as it sandwiched the vampire against the woman’s car. But if it were that easy, the war wouldn’t still be raging after seven years.</p>
<p>An animalistic cry of pain echoed from the massive chest of the vampire as it threw back its head and screamed. Then it’s face twitched once as it found Justin gingerly pulling back from the wheel on the other side of the shattered windshield.</p>
<p>"Shit!" Justin yelled as he jerked back from the dash right before the vampire’s two-inch talons blew out the windshield. Then just as the vampire was about to reach in and rip out his throat, he kicked the door open and rolled out.</p>
<p>The old woman was on her feet, thirty-feet back, watching from where the car was before Justin crashed into it. By the time he ran up and slid his arm around her, the screeching sound of bending metal was filling the night behind them. He shot a quick glance back at his truck. The front wheels were four feet off the ground and climbing steadily as the vampire pressed the front end of the Chevy over its head. In seconds and it would be free. They took off in a spirited dash to escape but barely made it fifty yards before they heard the crash of his truck hitting the ground upside down.</p>
<p>"Duck!" It was Pete and Rita running up with several armed marines.</p>
<p>Justin hit the ground with the old woman and immediately flipped onto his back. But he wasn’t prepared for what he saw. The shock snagged his breath and nearly stopped his heart. He was eye-to-eye with the vampire. It was standing right over them. He didn’t notice the blood dripping from the fangs on each side of its mouth or the giant clawed hands about to strike. All he could see was the look of vengeance in the eyes of the creature. It was personal.</p>
<p>Justin shielded the old woman with his arm and was about to shut his eyes when bullets sprayed across the chest and shoulders of the vampire. Little red welts popped up through the mat of short, dusty hair. The creature jerked up and stared defiantly at the charge of approaching marines.</p>
<p>Another spray from a mini-gun ripped across the vampire and sent it staggering back as the marines stopped in a half-circle just a few yards off. It locked eyes once more on Justin before throwing its head back and screaming into the night air. Similar guttural sounds echoed up from other positions around the stockade wall. Before the last echo died, the creature turned and dropped on all fours. Three leaps later it was on top of the stockade wall. Then it disappeared back into the night.</p>
<p>"Jus!" Rita cried as she dropped down and took his arm. "I was so scared."</p>
<p>Justin took a deep breath as he tried to calm the quiver in his shoulders. "I’m fine," he gasped as he took Rita’s hand while helping the old woman to her feet.</p>
<p>"Thank you young man," the woman sighed as she clutched one hand to her chest. "I thought my time was up."</p>
<p>Justin rubbed her shoulder and smiled as he worked to catch his breath. "Almost… but not tonight."</p>
<p>"They’ve gone," Pete announced as he scanned the area. Then he turned to the other marines. "Take care of the wounded." If any of the wounded tested positive, they were as good as dead.</p>
<p>"Thanks for coming back for us."</p>
<p>Pete walked over to Justin and eyed him once over. "Not sure if that was incredibly brave or just incredibly stupid."</p>
<p>"Probably a little of both."</p>
<p>Pete nodded and smiled. Then he looked around the perimeter again. "Why’d they retreat?"</p>
<p>"Are the infected still out there?" Rita asked.</p>
<p>Justin looked at her. Then he and Pete exchanged stares. A second later, Pete was leading the way as all three walked back over to the stockade wall. Two marines with mini-guns went up first to secure the area. When the ‘all clear’ came down, the others joined them.</p>
<p>The infected were still standing just across the dead man’s zone. None of them had left. None of them had come any closer. They simply stood swaying silently in the torch light, like reeds in the wind.</p>
<p>"What are they doing?" Justin asked out loud as he took Rita’s hand.</p>
<p>Pete looked down the dead man’s zone in both directions. The infected had set in like a tick on an old hound dog. He paused and lowered his face for a second. Then as he looked over at Justin he said in an air of disbelief, "I think we may be under siege."</p>
<p>"Are you kidding?"</p>
<p>A few pistol shots rang out as marines tested the wounded. "It makes sense," Pete said. "Perfect sense. They’ve cut off our supply of food. Windmills are probably down too. Come this time tomorrow… batteries will be down and we’ll probably be talking in darkness."</p>
<p>"We can use car headlights to light up the place." Rita offered.</p>
<p>"Yeah… but only as long as we have gasoline. No word yet from the east side, but my guess is they’ve cut off any hope of barges coming up river. That means no gasoline."</p>
<p>"And no more ammunition… right?"</p>
<p>Pete looked at Justin. No verbal answer was needed. Then he motioned toward the hordes of infected surrounding the town. "Vampires have a steady and willing source of nourishment out there. We’ll be easy pick’ens once the food starts running low."</p>
<p>"How do you know?"</p>
<p>Pete swallowed and looked at Justin. "Because now I know what happened to Topeka."</p>
<p>"What about Topeka?" Rita asked as she stepped closer.</p>
<p>"No one has heard from Topeka in over two weeks."</p>
<p>The second and third night went by without incident. Every morning the town commander called a meeting in the town’s auditorium to update the status of any activity. Each day was the same. No vampires were spotted. No movement from the infected.</p>
<p>Justin and Rita spent the third night talking about Frank and the war. Most people had forgotten that the first sign of a vampire came outside Boulder, Colorado. It was simply found one day, dead on a hiking trail. No one even knew what it was at first, but soon after that people began to disappear and infection started to sweep across the state. By the time anyone understood what was going on – Denver had already fallen.</p>
<p>But then Justin’s brother Frank knew all this. He hadn’t forgotten. Frank always wondered about the vampire found dead outside of Boulder. What could kill a creature so powerful and resistant to death? By the next morning, Justin and Rita couldn’t quit thinking about it either. After all, they had just seen a vampire run off after being hit by a pickup and taking over fifty rounds from a mini-gun.</p>
<p>Standing room was even hard to come by as over 400 crowded into the auditorium in hopes of hearing something good in the daily status meeting. "Anything else to report?" the town commander asked as he shuffled the morning reports into a neat stack on the podium.</p>
<p>Justin rose from one of the benches near the back of the hall. "Does anyone know what killed the vampire they found outside of Boulder?"</p>
<p>Civilians, marines and guards all turned toward the young man. "What exactly are you talking about son?" the commander asked as he stepped out into the open.</p>
<p>Pete pushed out of a crowd of marines that were resting up against the windows. "Some people say that before the war started, a dead vampire was found outside of Boulder."</p>
<p>"How sure are you of this?"</p>
<p>Pete looked at the commander and then at Justin before addressing the entire crowd. "It’s just what I’ve heard." He looked around at the questioning faces. "Look… we’ve all heard things. Some of those things, as awful as they are, we’ve found to be true."</p>
<p>Justin spoke up. "It is true. Frank talked about it." A soft murmur spread across the crowd. "Look… a lot of you know my brother. You know he is a man of fact. He isn’t given to wild fire rumor… not without substance. If he said that a vampire was found dead – then you can believe it."</p>
<p>A man stood up near the front. "Let’s say that it is true… what good does that do us."</p>
<p>Pete stepped in before Justin could respond. "If we knew what killed it…" he glanced back at Justin, "then maybe we could fight our way out of here."</p>
<p>The town commander regained control of the discussion. "That’s all well and good if it’s true, but even if it is we don’t know what killed it."</p>
<p>Justin tensed up. "I’ll go to Boulder."</p>
<p>"What’s that son?"</p>
<p>"I’ll go to Boulder and find out how it died."</p>
<p>The commander chuckled to himself. "I appreciate your enthusiasm son, but are you forgetting the mob of infected surrounding this town. And if by some miracle you’re able to get through them you’d have to fight your way across the state. Don’t forget that we have no idea of what kind of nuclear fallout still exists around Denver. And for that matter, we don’t even know if Boulder is still standing after the nuclear strike on Denver. And if it is, I think we’d all agree that area is smack dab in the middle of the vampire forces." The commander stopped to shake his head in disbelief. "No one’s been there in years."</p>
<p>Justin dropped his shoulders and stood for a second. But then he thought about his parents, and about this town. He pulled his shoulders back and said, "I will." He looked down at Rita who was seated beside him and settled on her eyes. "We came here with nothing. No parents. No home. No life." He saw the warmth in her eyes and gave into it. "I wouldn’t have anything if it weren’t for this town. This is my chance to even it up. Let me go. Let me find a way. Let me try to help you who have helped me."</p>
<p>Silence filled the auditorium. Just as the commander was about to speak, Pete stepped forward again. "I’ll go with him. We’ve got to try something… or we’re going to end up like Topeka."</p>
<p>An air of apprehension swept across the crowded room as all eyes turned to the commander. He lowered his head in thought and didn’t say anything for nearly a minute. But then just as a murmur started to rise, he looked across the filled auditorium at Justin. "Okay."</p>
<p>As soon as the meeting was adjourned, Justin and Pete were called into a side room with the commander. Pete followed Justin in and was about to close the door when Rita shoved her arm through. "I’m going too."</p>
<p>Justin swung around at the sound of her voice. "Oh no… you’re not going."</p>
<p>"The field isn’t any place you want to go," Pete said as he tried to nudge Rita back out the door.</p>
<p>Rita pushed Pete’s arm to the side and stepped through to Justin. "I don’t care. If I have to choose between dying here or dying out there with family… I choose family. Frank is all I have."</p>
<p>Justin stared at her. Her face was the only face that he’d every wanted to wake up to each morning. They weren’t blood relatives and they weren’t yet kin by marriage, but just the same, she was the only family he had left now that Frank was gone. His mind told him to refuse her request, but his heart lacked the strength to do so. Justin pulled out a chair for her. "She can come."</p>
<p>"Let’s all sit down," the commander said. "I want to hear how you plan to get out of town."</p>
<p>Pete spoke right up. "The escape tunnel."</p>
<p>"What tunnel?" Justin asked.</p>
<p>The commander raised a hand to stop the discussion. "That’s not an option."</p>
<p>Pete pushed on away and said, "Come on…. let’s think this through. We’d be lucky if we could get a dozen people out before the infected pounce on the tunnel." He paused to lean toward the commander. "Who’s going to pick the ones who go… and then like you said, would they even have a chance once they got to the other side of the perimeter?"</p>
<p>"What tunnel are you talking about?"</p>
<p>Pete turned to Justin and Rita. "It’s part of the sewer system. We installed several break away walls that look solid, but that you can push through. It goes all the way to the old country club."</p>
<p>"That’s it," Justin said as he brought his hand down on the table, "that’s how we’ll get out."</p>
<p>"Hold on. If you use that tunnel, that’ll be it. There won’t be any escape for the rest of us."</p>
<p>"I know," Pete said. "In fact I recommend that once we’re inside, you back fill it and seal off the tunnel."</p>
<p> </p>
<p>Two hours later, a small group of marines stood around an open manhole in an empty lot next to the stockade wall. Justin, Rita and Pete each wore backpacks stocked with three days food and water rations. Pete decided they should go without mini-guns and opted for the smaller, more versatile assault rifles that wouldn’t hinder their mobility in the field. Firepower wouldn’t save them. If they were going to make it, their survival would rest on their ability to outthink and out maneuver the opposition. After a few subdued slaps on the back, handshakes and bids for success, Pete climbed down the manhole. Rita went next and then Justin.</p>
<p>Justin descended slowly, each rung of the ladder taking him deeper into the dark, cool dampness of the sewer junction below. It was another world below ground: one without light or sounds of the living. When his foot touched the floor, he took one last look at the faces staring down from above before quickly joining Rita and Pete about ten yards down the tunnel. A few seconds later, the bulldozer’s diesel engine roared to life above. They flicked on their flashlights and flicked off the safeties on their rifles, as they watched bucket loads of dirt cascade through the manhole and pile on the cement floor like sands from an hourglass. One thing became startlingly clear as the natural light slowly faded away.  The only way out lay ahead of them.</p>
<p> </p>
<p>I hope you enjoyed it.    I'd never really written a vampire story before, and as any of you who've read my work know, I like to put a little different spin on conventional plots.    In this case, my intention all along was to make this serial an interactive experience - starting with the third installment where I'd let the readers determine the fate of not only our heros (including the characters from 'The Fall of Post #17), but also the country as a whole.    Thanks for reading!   J/W</span></code></div>
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<title><![CDATA[In Bruges (USA 2008)]]></title>
<link>http://blafusel.wordpress.com/2008/07/06/teeth-usa-2007-9/</link>
<pubDate>Sun, 06 Jul 2008 18:51:21 +0000</pubDate>
<dc:creator>blafusel</dc:creator>
<guid>http://blafusel.wordpress.com/2008/07/06/teeth-usa-2007-9/</guid>
<description><![CDATA[

Synopsis (possible Spoiler): Holed up in Bruges, Belgium after a difficult job, two hit men begin ]]></description>
<content:encoded><![CDATA[<p style="text-align:center;">
<img src="http://blafusel.files.wordpress.com/2008/07/200806182153.jpg" width="280" height="414" alt="200806182153.jpg" style="border:5px #000000 solid;" /></p>
<p style="text-align:justify;"><span style="font-style:italic;">Synopsis (possible Spoiler): <span style="font-style:normal;"><em>Holed up in Bruges, Belgium after a difficult job, two hit men begin to differ on their views of life and death as they become used to local customs.</em></span></span></p>
<p style="text-align:justify;"><span style="font-style:italic;"><span style="font-style:normal;">This one was a lot of fun! I didn't expect much. Basically a glorified B-movie. Well, that's what it is, really. But I liked the acting, as over-the top it was in some scenes. A nice surprise to see <a href="http://www.imdb.com/name/nm0378161/">John Hansley</a> in anything other than <a href="http://www.imdb.com/title/tt0361217/">Nip/Tuck</a>. After being almost done with assimilation into the American way of thinking about Sex (instead of teaching our youngster on how to have safe sex, we teach them how to not have any sex at all, yeah, right) the movie was even more effective. In Europe it would probably be seen as a fairytale. It has some gory scenes, and, for me, strikes a good balance between being funny and disturbing.</span></span></p>
<p style="text-align:justify;"><a href="http://www.rottentomatoes.com/m/teeth/">RT 80%</a> (54 reviews) <a href="http://www.imdb.com/title/tt0780622/">IMDb 6.0/10</a> (over 3000 votes)</p>
<p style="text-align:center;"><span style='text-align:center; display: block;'><object width='425' height='350'><param name='movie' value='http://www.youtube.com/v/yH8yuld4DUE'></param><param name='wmode' value='transparent'></param><embed src='http://www.youtube.com/v/yH8yuld4DUE&rel=0' type='application/x-shockwave-flash' wmode='transparent' width='425' height='350'></embed></object></span></p>
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<title><![CDATA[SAW 5 website online!]]></title>
<link>http://svenhahn.wordpress.com/?p=9</link>
<pubDate>Sun, 06 Jul 2008 18:08:18 +0000</pubDate>
<dc:creator>svenhahn</dc:creator>
<guid>http://svenhahn.wordpress.com/?p=9</guid>
<description><![CDATA[Die Website für SAW 5 ist nun online.
Es gibt zwar noch keinen Inhalt, aber wir halten euch auf dem]]></description>
<content:encoded><![CDATA[<p>Die Website für SAW 5 ist nun online.<br />
Es gibt zwar noch keinen Inhalt, aber wir halten euch auf dem laufenden!</p>
<p><a href="http://www.saw5.com">www.saw5.com</a></p>
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<title><![CDATA[REVIEW: The Call of Cthulhu and Other Weird Stories by Howard Phillips Lovecraft]]></title>
<link>http://searchingforserenity.wordpress.com/?p=12</link>
<pubDate>Sun, 06 Jul 2008 15:59:00 +0000</pubDate>
<dc:creator>searchingforserenity</dc:creator>
<guid>http://searchingforserenity.wordpress.com/?p=12</guid>
<description><![CDATA[Howard Phillips Lovecraft is a master of the American horror tale. But despite his work now being re]]></description>
<content:encoded><![CDATA[<p>Howard Phillips Lovecraft is a master of the American horror tale. But despite his work now being regarded as the most important supernatural fiction of the 20th Century, his work is still a stranger to most people’s bookcases.</p>
<p>Which is a shame – his gripping tales of madness and cosmic terror are unparalleled. And his effect on modern horror fiction continues to be felt – Stephen King (who called Lovecraft “the 20th Century horror story’s dark and baroque prince”), Anne Rice, and Clive Barker have acknowledged his influence. His unique contribution to American literature was a melding of Edgar Allan Poe’s traditional supernaturalism with the emerging genre of science fiction.</p>
<p>But Lovecraft, who died in 1937, discarded ghosts and witches and instead envisaged mankind at the mercy of a chaotic and malevolent universe. His historical context is the cusp of the the 19th Century and the early years of the 20th Century, a period when Einstein had discovered relativity, but Howard Carter had not yet opened Tutankhamen’s tomb.</p>
<p>Originally appearing in pulp magazines like Weird Tales in the 1920s and 1930s, Lovecraft’s work has inspired generations of fans.</p>
<p>The first paperback to include the definitive corrected texts, The Call Of Cthulhu And Other Weird Stories, reveals the development of Lovecraft’s mesmerising narrative style. The selection of stories range from early tales of nightmares and insanity such as The Outsider and The Rats In The Wall, through the grotesquely comic Herbert West – Reanimator.</p>
<p>His best-known short story is also included in the book – The Call Of Cthulhu, which fuses traditional supernaturalism with science fiction.</p>
<p>Set around 1925, it begins with Francis Wayland Thurston’s account of the death his great-uncle, Professor Angell, a prominent professor, and a study of his papers which include the account of a raid on a supposed cult. In this tale “sensitive individuals” around the world are afflicted by horrid nightmares transmitted by the Great Cthulhu, an extra-dimensional creature who “cannot live” because “the stars are not right”. Driven insane, they perform despicable, unholy rites.</p>
<p>The study of the cultists brings to light clues about the hideous creature, Cthulhu, that they worship. The Cthulhu creature, said to have come with his alien followers from the stars millions of years before the dawn of man, now rests in a death-like sleep in their sunken city of R’lyeh.</p>
<p>Lovecraft is not a brilliant writer but he is an important one. Reading this collection, the reader constantly has to remember he was the first to truly explore the idea of an alien being something other than prosthetics on humans. With him, the nature and method of horror writing underwent a sea-change, away from the quaintness of the English ghost story.</p>
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<title><![CDATA[Flames in the shutter]]></title>
<link>http://neopol.wordpress.com/?p=61</link>
<pubDate>Sun, 06 Jul 2008 15:12:10 +0000</pubDate>
<dc:creator>nEoPOL</dc:creator>
<guid>http://neopol.wordpress.com/?p=61</guid>
<description><![CDATA[As I may have already intimated, my most successful images to day have been those of fire. So I]]></description>
<content:encoded><![CDATA[<p>As I may have already intimated, my most successful images to day have been those of fire. So I've decided to showcase a selection of images from the <a title="Flames" href="http://www.flickr.com/photos/neopol/sets/72157604564157982/" target="_blank">"Flames"</a> set from Flickr.</p>
<p>All these images where taken naturally with no post manipulation.</p>
<p>This image is entitled "Cauldron In The Flame". This was taken at a high shutter speed but low F stop. This image to me, seems to show a figure holding a cauldron or bowl inside a flame.</p>
<p><a title="Cauldron In The Flame by nEoPOL, on Flickr" href="http://www.flickr.com/photos/neopol/2426970325/"> <img src="http://farm4.static.flickr.com/3158/2426970325_c5b0a23f26.jpg" alt="Cauldron In The Flame" width="387" height="500" /></a></p>
<p>This image is entitled "Horror's End?". Again, this was taken at a high shutter speed but low F stop. It seems to clearly depict a image of a man or woman for that matter, seemingly suffering in a ring of fire.</p>
<p><a title="Horrors' End? by nEoPOL, on Flickr" href="http://www.flickr.com/photos/neopol/2423578456/"><img src="http://farm4.static.flickr.com/3111/2423578456_b6a5d1c942.jpg" alt="Horrors' End?" width="500" height="316" /></a></p>
<p>This image is entitled "Hell's Angel" and simply depicts just that in my eyes. Also, it would seem to be a female form, based on the structure and pose. . This was taken at a high shutter speed but low F stop.</p>
<p><a title="Hell's Angel by nEoPOL, on Flickr" href="http://www.flickr.com/photos/neopol/2419444512/"><img src="http://farm3.static.flickr.com/2351/2419444512_69f0603554.jpg" alt="Hell's Angel" width="441" height="500" /></a></p>
<p>This image is entitled "Flaming Duck". This was taken at a high shutter speed but low F stop. This is one of the clearest images that has come out of this set. It lookd remarkably like a cartoon duck.</p>
<p><a title="Flaming Duck by nEoPOL, on Flickr" href="http://www.flickr.com/photos/neopol/2421534840/"><img src="http://farm3.static.flickr.com/2167/2421534840_a76da5f7d0.jpg" alt="Flaming Duck" width="410" height="500" /></a></p>
<p>This image is simply entitled "Flames", and you may have guest it from that, that this was the first image to be posted. It is a much simpler composition and is nothing more that a piece of paper burning, again at a low F stop and hight shutter. You may be able to make out the letter R withing the flame. This has happened at least twice during this set.</p>
<p><a title="Flames by nEoPOL, on Flickr" href="http://www.flickr.com/photos/neopol/2408763588/"><img src="http://farm4.static.flickr.com/3058/2408763588_53c46049a5.jpg" alt="Flames" width="382" height="500" /></a></p>
<p>And finally, this image, entitled "Flaming Macro!", has often been seen to have certain sexual connotations, but in all honesty, I didn't see that until it was pointed out! But now, yes, I can see it. I was more taken with fluidity of the flames and the macro of the fir shot. This was taken at a high shutter speed and a higher F stop.</p>
<p><a title="Flaming Macro! by nEoPOL, on Flickr" href="http://www.flickr.com/photos/neopol/2437147230/"><img src="http://farm3.static.flickr.com/2073/2437147230_4eaccd579e.jpg" alt="Flaming Macro!" width="500" height="350" /></a></p>
<p>© nEoPOL 2008 All rights reserved</p>
<p>Visit my Flckr Profile @ <a href="http://www.flickr.com/people/neopol/">http://www.flickr.com/people/neopol/</a></p>
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<title><![CDATA[President Evil]]></title>
<link>http://superchorradas.wordpress.com/2008/07/06/president-evil/</link>
<pubDate>Sun, 06 Jul 2008 11:19:00 +0000</pubDate>
<dc:creator>superchorradas</dc:creator>
<guid>http://superchorradas.wordpress.com/2008/07/06/president-evil/</guid>
<description><![CDATA[ 
Visto en: Chorradas que llegan al email
]]></description>
<content:encoded><![CDATA[<p><img src="http://farm4.static.flickr.com/3006/2639267154_f39eab612d_o.png"> </p>
<p>Visto en: <a href="http://chorradas.rebuscando.info" target="_blank">Chorradas que llegan al email</a></p>
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<title><![CDATA[Dustin Hoffman a jerk??? ]]></title>
<link>http://nbainsidestuff.wordpress.com/?p=151</link>
<pubDate>Sun, 06 Jul 2008 10:02:57 +0000</pubDate>
<dc:creator>Holden Caulfield</dc:creator>
<guid>http://nbainsidestuff.wordpress.com/?p=151</guid>
<description><![CDATA[On the Tonight show with Jay Leno Dustin Hoffman said Chris Rock said this Mccain is so old that he ]]></description>
<content:encoded><![CDATA[<p>On the Tonight show with Jay Leno Dustin Hoffman said Chris Rock said this Mccain is so old that he once owned Sidney Poitier.</p>
<p><img class="alignnone" src="http://img5.allocine.fr/acmedia/rsz/434/x/x/x/medias/nmedia/18/36/11/48/18453717.jpg" alt="" /></p>
<p>They call me Mr. Tibbs!!!</p>
<p><img class="alignnone" src="http://artfiles.art.com/images/-/Dustin-Hoffman-Photograph-C12147439.jpeg" alt="" /></p>
<p>Mrs. Robinson are you trying to seduce me?</p>
<p><span style='text-align:center; display: block;'><object width='425' height='350'><param name='movie' value='http://www.youtube.com/v/UlxAa3gS3dc'></param><param name='wmode' value='transparent'></param><embed src='http://www.youtube.com/v/UlxAa3gS3dc&rel=0' type='application/x-shockwave-flash' wmode='transparent' width='425' height='350'></embed></object></span></p>
<p><span style='text-align:center; display: block;'><object width='425' height='350'><param name='movie' value='http://www.youtube.com/v/9hUy9ePyo6Q'></param><param name='wmode' value='transparent'></param><embed src='http://www.youtube.com/v/9hUy9ePyo6Q&rel=0' type='application/x-shockwave-flash' wmode='transparent' width='425' height='350'></embed></object></span></p>
<p><span style='text-align:center; display: block;'><object width='425' height='350'><param name='movie' value='http://www.youtube.com/v/bE1dz6_u2JI'></param><param name='wmode' value='transparent'></param><embed src='http://www.youtube.com/v/bE1dz6_u2JI&rel=0' type='application/x-shockwave-flash' wmode='transparent' width='425' height='350'></embed></object></span></p>
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<title><![CDATA[Hot Dog Eating Contest goes wrong. ]]></title>
<link>http://nbainsidestuff.wordpress.com/?p=150</link>
<pubDate>Sun, 06 Jul 2008 09:51:11 +0000</pubDate>
<dc:creator>Holden Caulfield</dc:creator>
<guid>http://nbainsidestuff.wordpress.com/?p=150</guid>
<description><![CDATA[TAKERU KOBAYASHI AND JOEY CHESTNUT GO MOUTH TO MOUTH
In an epic July 4th battle, American competitiv]]></description>
<content:encoded><![CDATA[<p><strong>TAKERU KOBAYASHI AND JOEY CHESTNUT GO MOUTH TO MOUTH</strong></p>
<p>In an <a href="http://sports.yahoo.com/top/news?slug=txnathanscontest&#38;prov=st&#38;type=lgns">epic</a> July 4th battle, American competitive eater Joey Chestnut defeated Kobayashi in the Nathan’s hot dog eating contest at Coney Island. Chestnut had to go <a href="http://www.nydailynews.com/ny_local/2008/07/04/2008-07-04_joey_chestnut_wins_nathans_hot_dog_conte.html">overtime</a> to win the grueling mouth-to-mouth competition.</p>
<p>The two were tied at the end of regulation, both having devoured 59 hot dogs in ten minutes. Kobayashi (a six time winner of the Nathan’s event) took the early lead by stuffing down 10 dogs in the first minute but was caught by Chestnut down the stretch. 25,000 people jammed the streets of Brooklyn to watch the event.</p>
<p>Chestnut dominated Kobayashi in the overtime eat-off winning the coveted Yellow Mustard Belt.</p>
<p><img class="alignnone" src="http://igpop.ig.com.br/upload/20070302/02111916.jpg" alt="" width="595" height="642" /></p>
<p>Chestnut ready for your next challenge?</p>
<p>Wanna see my HARRY POTTER?</p>
<p>Check out this sex video.</p>
<p><span style='text-align:center; display: block;'><object width='425' height='350'><param name='movie' value='http://www.youtube.com/v/6CldkoBGUtk'></param><param name='wmode' value='transparent'></param><embed src='http://www.youtube.com/v/6CldkoBGUtk&rel=0' type='application/x-shockwave-flash' wmode='transparent' width='425' height='350'></embed></object></span></p>
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<title><![CDATA[Blood Simple]]></title>
<link>http://andrewsidea.wordpress.com/?p=108</link>
<pubDate>Sun, 06 Jul 2008 08:31:32 +0000</pubDate>
<dc:creator>ZC</dc:creator>
<guid>http://andrewsidea.wordpress.com/?p=108</guid>
<description><![CDATA[You can&#8217;t really get the Coen brothers&#8217; No Country for Old Men unless you&#8217;ve first]]></description>
<content:encoded><![CDATA[<p>You can't really get the Coen brothers' <em>No Country for Old Men</em> unless you've first watched (and gotten) <em>Blood Simple</em>. Now I have to go re-watch the former. It's far too easy, these days, to hear/read about good filmmakers and view their <em>recent</em> work, when it might be better to start from the beginning. (Wim, if you're reading, you have exemplified this in the realm of popular music.) Now that I've finally seen <em>Barton Fink</em> and <em>Blood Simple</em>, I feel ready not only for the remaining two Coen works I haven't yet seen (<em>Miller's Crossing</em> and <em>The Hudsucker Proxy</em>) but also to re-view the rest of their corpus.</p>
<p>The popular literature out there has deeply mixed feelings about <em>Blood Simple</em>, with half of the reviewers quickly concluding that the Coens' first work was, simply, an overhyped B-movie. Thankfully, better thinkers have noted that this is the inaugural work from an important filmmaking duo that deserves careful attention. It would be difficult to argue now that the Coens are not at least talented, or better. They have established themes and motifs in their films that give them the status of auteurs (if you're into that). <em>Blood Simple</em> contains most, if not all, of those themes and motifs.</p>
<p>The Mortimer Young introduction is almost as delightful here as it is on <em>The Big Lebowski</em>. The rest of that speaks for itself. Within the first couple frames, the film establishes itself as a fusion noir/western genre film, and soon it will display major signs of the thriller/horror genre. Here already is a great stumbling-block to viewers, who have seen in <em>Blood Simple</em> nothing more than a mash-up of long-established movie clichés, as if the Coen brothers are just a less-creative Quentin Tarantino. The camera slowly moves in on towns and factories in a way that <em>The Big Lebowski</em> will later do more overtly, and the noir/western/thriller/horror/comedy feel of this film is repeated to grand effect in <em>No Country for Old Men</em>.</p>
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<p>After the beginning shots of the landscape, the camera is placed in the back seat of a car, behind and between two characters as they drive. It is dark and rainy, and the headlights and windshield wipers ineffectively attempt to dispel the darkness and blurriness. It seems that the Coens are emphasizing the noir-nature of the film: what is ahead is unseen and most likely sinister in nature. The character of Abby, even early in the film, reminds one of other Coen brothers women, as in <em>Fargo</em>, <em>O Brother Where Art Thou?</em>, and <em>No Country for Old Men</em>. Ray may also be a foreshadow of Josh Brolin's character in the last film. In classic noir form, Ray is introduced after some dialogue by protruding his face from the shadows toward the camera and into violently bright light. The mood is one of uncertainty and despair.</p>
<p><a href="http://andrewsidea.files.wordpress.com/2008/07/vlcsnap-6612873.png"><img class="alignnone size-medium wp-image-111" src="http://andrewsidea.wordpress.com/files/2008/07/vlcsnap-6612873.png?w=300" alt="" width="495" height="277" /></a></p>
<p>To counteract, or counterbalance, the noir opening, the following scene has country music playing, with a close-up of boots on a desk and a cowboy hat placed beside them. The laughing of the P.I. works out to be a chiasm; he is a cliché at the beginning and the end of the film, sandwiching some very dark humor that is devoid of laughter. Though a major character (arguably the most important one), the P.I. is never given a name. He is the source of both truth and lies, giving Marty true and false evidence of his wife's affair. The prevalence of photographs and voyeurism in the film feeds the intersubjectivity of the characters and what they believe to be true. In many ways the film is about misunderstandings. One person is mistaken for another, a photograph is altered, a gun is misplaced and misinterpreted, a dream is thought to be reality, and a living man is considered dead. After the early meeting between Marty and the P.I., the camera moves through the "window" separating the office from the bar to reveal that it's a mirror on the other side. While not the most jaw-dropping of effects, it illustrates both the uncertainty within the film and its voyeuristic theme.</p>
<p>Little effects such as the camera crawling down the length of the bar toward its subject (and going over a sleeping drunk like a speed bump) have led some to conclude that <em>Blood Simple</em> is a style-over-content film. I don't feel a strong need to spend time rebutting this. Suffice it to say, it seems clear that (a) the content of the film is on par with its style, as this essay hopes to make clear; and (b) style is a very important aspect of the content, since this is in many ways a film about film. Its amalgamation of genres and weight given to the visual image contribute to this.</p>
<p><a href="http://andrewsidea.files.wordpress.com/2008/07/vlcsnap-6614243.png"><img class="alignnone size-medium wp-image-112" src="http://andrewsidea.wordpress.com/files/2008/07/vlcsnap-6614243.png?w=300" alt="" width="494" height="276" /></a></p>
<p>Not sure what to do with Marty's recurring vomiting. He always seems to be either throwing up or supressing the urge. Neither he nor the other characters seem to notice what must be a foul stench from the dead fish on his desk, though all the major players enter his office while the fish are there. This more superficial cause for potential puking is usurped by the gravity of death and getting knocked in the groin by Marty's eloping wife, which seems appropriate. And I suppose that someone is bound to point out the innuendo of emasculation: when Abby kicks Marty where it counts, she also breaks his finger, which is seen in the following scene in a closeup in a splint. From that point, whatever manhood Marty had left is history, along with his marriage.</p>
<p><a href="http://andrewsidea.files.wordpress.com/2008/07/vlcsnap-6614479.png"><img class="alignnone size-medium wp-image-113" src="http://andrewsidea.wordpress.com/files/2008/07/vlcsnap-6614479.png?w=300" alt="" width="492" height="275" /></a></p>
<p>The significance of the four dead fish is perhaps complex, not sure. They appear when the P.I. is showing Marty altered photos implying a double homicide. Presumably, the fish foreshadow the death of all four main characters, though they are all still alive at this point. Not all four characters die in the end, in the physical sense. The Coens are likely playing with the viewers heads by tying the fish with the characters, and at the same time rejecting what would have been another stylistic cliché.</p>
<p><a href="http://andrewsidea.files.wordpress.com/2008/07/vlcsnap-6617579.png"><img class="alignnone size-medium wp-image-114" src="http://andrewsidea.wordpress.com/files/2008/07/vlcsnap-6617579.png?w=300" alt="" width="495" height="277" /></a></p>
<p>As usual, the Coens seem to be portraying something moral in this film without making a moral statement. The P.I. accepts Marty's proposal for a job that's "not strictly legal," but tells Marty, "You're an idiot." The P.I. can't bring himself to commit the crime, but instead misleads Marty into paying him for the job, then offs him. As Marty sits there slouching, bleeding to death, the P.I. says, "You look stupid now." The P.I. associates ignorance with evil, is disgusted, and becomes an administrator of justice. That Ray is not actually dead, we find out a bit later, confirms the dishonesty of the visual image that has already been a theme. In the first instance, the altered photo seemed just fishy enough to have been fake, the audience infers. Marty is fooled, but the audience isn't sure. When Marty is "killed," the audience apparently sees it clearly and has no reason to doubt the murder. The viewer is as surprised as Ray to discover Marty gasping for breath later on. This takes the film from being merely a mystery-thriller to something in the category of "a film about film." The Coens know that their viewers are fluent in the language of film and know cinematic clichés. By deceiving the audience, the Coens are turning the clichés on their head, so to speak. This seems a perfect use of such clichés: make lazy viewers of the audience so that they stop thinking about the possibilities of the story, then show them their laziness.</p>
<p><a href="http://andrewsidea.files.wordpress.com/2008/07/vlcsnap-6618944.png"><img class="alignnone size-medium wp-image-115" src="http://andrewsidea.wordpress.com/files/2008/07/vlcsnap-6618944.png?w=300" alt="" width="491" height="274" /></a></p>
<p>Once Ray is shown late in the film sitting on a chair with one cowboy-booted leg up on a table, the connection with Marty is clear, along with the implication that Ray will share in Marty's fate. Abby's defense, "I haven't done anythin' funny" may be honest, but they are precisely the words Marty promised Ray she would utter, and they further tie Ray and Marty's fates together. Twisted clichés, stupid characters, and a hastiness to violence make <em>Blood Simple</em> a film of blood spilt by simple people who are incapable of seeing the complexity that the viewer is cursed to witness.</p>
<p><a href="http://andrewsidea.files.wordpress.com/2008/07/vlcsnap-6620192.png"><img class="alignnone size-medium wp-image-116" src="http://andrewsidea.wordpress.com/files/2008/07/vlcsnap-6620192.png?w=300" alt="" width="498" height="278" /></a></p>
<p>The sinister voyeur</p>
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<title><![CDATA[#105]]></title>
<link>http://chuckleandguffaw.wordpress.com/?p=119</link>
<pubDate>Sun, 06 Jul 2008 08:16:07 +0000</pubDate>
<dc:creator>wanderlust</dc:creator>
<guid>http://chuckleandguffaw.wordpress.com/?p=119</guid>
<description><![CDATA[On a dark, stormy night, a driver stops his empty bus to pick up an ashen-faced woman. She grunts wh]]></description>
<content:encoded><![CDATA[<p>On a dark, stormy night, a driver stops his empty bus to pick up an ashen-faced woman. She grunts what sounds like thank you and makes her way to the back of the vehicle. Unsettled by his odd, raven-haired passenger, the driver glances back at her in his mirror several times as he winds his way down a country road. Suddenly, there is a flash of lighting and when the driver looks in the mirror, the woman is gone.</p>
<p>Shocked, he slams hard on the brake. He looks again. The woman has reappeared, but blood is trickling down her face. The terrified driver puts his foot down. Flash. More lightning and the woman disappears once more. The driver slams even harder on his brakes, stopping the bus with a jolt. He glances in the mirror. The woman is back in the seat. This time her face is covered in blood and she lets out a piercing scream. “Could you stop braking the bus?” she wails. “I’m trying to tie my shoelace!”</p>
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<title><![CDATA[Justin Hawkins New Mexico state aggies basketball.  ]]></title>
<link>http://nbainsidestuff.wordpress.com/?p=149</link>
<pubDate>Sun, 06 Jul 2008 07:36:40 +0000</pubDate>
<dc:creator>Holden Caulfield</dc:creator>
<guid>http://nbainsidestuff.wordpress.com/?p=149</guid>
<description><![CDATA[I am thrilled that Justin Hawkins from New Mexico state is on the summer league roster for the Sacra]]></description>
<content:encoded><![CDATA[<p>I am thrilled that Justin Hawkins from New Mexico state is on the summer league roster for the Sacramento Kings. Justin Hawkins played on the basketball team for Mayfair High School and then went to play for Utah University playing along side former #1 pick in the 2005 nba draft Andrew Bogut of the Milwaukee Bucks. Hawkins then transferred to New Mexico state and was coached by current Sacremento Kings coach Reggie Theus. Justin Hawkins was the leading scorer for New Mexico state this year. Justin Hawkins has many NBA ties from playing with Andrew Bogut in Utah, being coached Reggie Theus in New Mexico state, from playing with Atlanta Hawks Josh Childress in high school. I was hoping all year that Justin Hawkins would somehow make it to the Sacramento Kings because of his ties with Reggie Theus. As a fellow Monsoon I am thrilled for you Justin and I hope you make the Sacramento Kings. I will be rooting you on in the summer league. I really feel like you can be a steal in the NBA.</p>
<p><img class="alignnone" src="http://cache.daylife.com/imageserve/07EJ1RWctjbOo/340x.jpg" alt="" /></p>
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<title><![CDATA[The Happening's mood ring tells me it's feeling dismal yet pretentious.]]></title>
<link>http://missbittens.wordpress.com/?p=65</link>
<pubDate>Sun, 06 Jul 2008 06:50:32 +0000</pubDate>
<dc:creator>missbittens</dc:creator>
<guid>http://missbittens.wordpress.com/?p=65</guid>
<description><![CDATA[Saw The Happening a couple of days ago. Warning to all; the trailers are much better than the movie,]]></description>
<content:encoded><![CDATA[<p class="MsoNormal" style="margin:6pt 6pt 0;"><span style="font-size:small;"><span style="font-family:Times New Roman;">Saw The Happening a couple of days ago. Warning to all; the trailers are much better than the movie, and since directing The Sixth Sense, M. Night made, in this order, Unbreakable, Signs, The Village, Lady In The Water. You seeing a pattern here, a downslide in quality? Yeah. Lists of the good and the bad after the jump, spoilers ahead.</span></span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;"> </span></span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;"><span><!--more--></span></span></span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;">The few good things in the movie.</span></span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;">Several death scenes. Despite the overacting annoying nameless worker, IMO the construction scene early in the movie was quite good after the first couple of bodies. Just hearing the thumping sounds and knowing what they were, with the occasional one falling into the background. The thumping steadily gets faster until nameless worker looks up, and we see all these silouettes toppling from the rooftop. Creepy and effective.</span></span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;">Ditto for all the hanging bodies, that was great. I think I'd prefer it if they'd done a bit more of this, just showing corpses [preferably with one more mass corpse shot] rather than always showing people killing themselves. The ones on the road don't count, there were like three of them way off in the distance, it was hard to tell they were even people.</span></span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;">The boys getting shot - sort of. The buildup was very silly, but just seeing the shotgun slowly appear was very nice and suspenseful. Until stupid Elliot ruined the moment, [i]twice[/i], by doing the slo-mo heroic run that took it right back to silly again. In this movie, five seconds of nice and suspenseful makes the list.</span></span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;">The kid. Mostly. She was a cutie and she didn't have as many lines to clunk through as poor Mark and Zooey. </span></span></p>
<p class="pfMsgText" style="margin:0 6pt;"><span style="font-size:7.5pt;font-family:Verdana;"> </span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;font-family:Times New Roman;">The bad.</span><span style="font-size:7.5pt;font-family:Verdana;"> </span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;">-It was the f*cking plants making everyone kill themselves. </span></span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;">-Unlike other movies with plants as the enemy, this one really tries to convince us that this is an actual risk in real life.</span></span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;">-And it'd not like, triffids or anything. These are the pretty little flowers trying to make us off ourselves.</span></span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;">-Long after things were established, everyone kept questioning them.</span></span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;">-They full-on marketed that rating, and then failed to deliver. There was one bit of profanity – from the movie that is, not the audience. More importantly, where was the gore? That dude that got his arms ripped off by lions was the goriest scene in the entire movie, and yet we were watching it on a crappy quality vid taken from a fair distance away when the lions actually rip off his arms, they cut away to Elliot watching the video. Both freaking arms. What exactly did this get an R for?</span></span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;">-Nobody would run. The larger group behind them had the toxin in them and the smaller group [i]literally stopped walking altogether[/i] just so they could ask Elliot what they should do now that the suicide-inducing toxin was right behind them. Seriously.</span></span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;">-Acting. I felt so sorry for them, they probably came in thinking "Oh, sucidal apocalypse horror, that sounds way cool, I can expand my range and it's from the guy who directed The Sixth Sense, this is going to be so great," and instead got killer daisies, a 100% a** script, and I'd bet my life some really bad direction just to top it all off and make absolutely sure these usually fine actors sucked.</span></span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;">-It’s supposed to be environmentalist, but the more obvious conclusion is, “kill the trees before they kill us.”</span></span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;">-“Oh Alma, I love you so much I want to go outside and kill myself romantically.” “Sure, me too. And we can’t just leave little Jess alone out here.”</span></span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;">-Sh*t was so random. Why were the crazy lady or the model house in the movie again?</span></span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;">-So not only can plants talk to each other, they have power over the wind. Nothing ridiculous about that.</span></span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;">-“The greenery is trying to murder us, let’s pack up and run to the countryside!”</span></span></p>
<p class="MsoNormal" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;">-This movie is logical! It has science types giving scientific explanations for everything! The brilliant scientific reason for all the weird shit? It’s an act of nature, and we may never fully understand it. Genuis!</span></span></p>
<p class="MsoBlockText" style="margin:0 6pt;"><span style="font-size:small;"><span style="font-family:Times New Roman;">-Was tiramisu a euphanism? That’d put a different spin on the ending when she found out she was knocked up.</span></span></p>
<p><span style="font-size:12pt;"></p>
<p class="MsoNormal" style="margin:6pt;"><span style="font-family:Times New Roman;"><span style="color:black;">-But seriously, that much fuss over her having a meal with another guy?</span><span style="color:black;"></span></span></p>
<p class="MsoNormal" style="margin:0 6pt 6pt;"><span style="color:black;"><span style="font-size:12pt;"><span style="font-family:Times New Roman;">-The jokes were very out of place and not so funny. It wasn't like it was poking fun at itself either. Occasionally someone would just go off on their own little weird spiel about something random ["Hot dogs! Cough syrup!"] and then it would be straight back to 100% serious again.<br />
-Their love is so powerful it makes shrubs stop being evil. Oh, and at least this wasn't in the final version, but apparently in the draft this wasn't just implied. </span><a href="http://nymag.com/daily/entertainment/2008/06/the_happening_vulture_mourns.html"><span style="color:#990000;"><span style="font-family:Times New Roman;">Not kidding</span></span></a><span style="font-family:Times New Roman;">. </span></span></span></p>
<p class="MsoNormal" style="margin:0 6pt 6pt;"><span style="color:black;"><span style="font-family:Times New Roman;"><span style="font-size:12pt;">-Although that was taken out, the mood ring part wasn't, leaving us with another entirely unecessary part of the plot, that doesn't really make sense because despite what Mr Science Teacher Elliot says, mood rings are about as accurate as a blind man with a dart board. I have to wonder how much research M. Night did for this if he doesn't even know that.</span></span></span></p>
<div class="pfMsgText"><span style="font-size:12pt;color:black;font-family:&#34;"><span style="font-size:12pt;">-What was with the constant close-ups of everyone's faces? I don't need to see their tonsils or count how many nose hairs they've got.</span></span></div>
<div class="pfMsgText"><span style="font-size:12pt;color:black;font-family:&#34;"><span style="font-size:12pt;">-It seemed convinced it was a good movie. Nothing like a crap that thinks it's made of gold.</span></span></div>
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